texas is a scarecrow (willie nelson visits me in a dream)

I.

i met texas on the roadside next to a cow farm / he kissed me on my cheek & traced my jaw with straw fingers / i realized then, that he was a scarecrow / pumpkin brow bone furrowed / rotted eye sockets creased at the edges / i reached / let me hold you / he flinched / my palms -- fleshed & skinned / meat hugging the bone / i suppose i looked threatening to him / the way my index molded into the barrel of a shotgun / but he took my gunpower hands in his / licked my fingertips until his pulp was dry / carved a seed out of his neck and asked me to cross my arms across my body / the way I do in catholic churches because I was baptized and born again with the right savior in the wrong way / he pressed the seed against my forehead / texas blessed me / and i bled stars / out my nail beds /  he wiped them off my new & babied skin / & closed my eyes / when he lifted his fingers, the straw pressed red into my cheek / i stretched thin / in the elbow of a wide country sky / i met texas on the roadside next to a cow farm / he kissed me on my cheek and turned me into something of myth 


II.

my parents were engaged 

under the lights of a willie nelson concert

i think this must be why 

he came to me in a dream 

and asked me to improvise a vow 

to the dirt in my fingernails 

because it will live on this earth 

much longer than i will







Rhea Brennan is a seventeen-year-old poet based in Houston, attending Kinder High School for the Performing and Visual Arts’ creative writing program. She loves second hand stores, analyzing anything from Phoebe Bridgers to films to prose, and finding new coffee shops to camp out at. She founded Mockingbird & Wire, a Texas-based youth literary magazine spotlighting emerging teen voices. Her work has appeared in The Weight Journal, Octopus Ink, Eight, and Catharsis Literary Magazine.